![]() ![]() If your whites aren’t reaching the top and the Waveform is bunched at the bottom, your exposure is likely too dark. What you usually want is a good, robust image which fills out the entire Waveform. You see peaks near the top where you have brights and valleys near the bottom where you have darks. The brightness values on the monitor correspond to objects in the same location from left to right in the image. On the Waveform monitor, you see a full representation of the brightness in your image from left to right. By default, the Video Scopes window opens with the Color Grading panel, but if you’ve changed the configuration and the Video Scopes window didn’t open, go to View>Window>Video Scopes to open it now. ✓ For proper exposure, use the Waveform monitor in the Video Scopes window. This way, you’re only working on the brightness curve, a white line on the Color Curves graph. To the left of the color curve, make sure the Brightness box is checked, and then uncheck the Red, Green, and Blue boxes. If you didn’t select a clip, the controls will be greyed out and inaccessible until you select a clip.įor the most precise exposure control, use the Color Curves. The Color Grading panel opens, and the controls are active for the clip you’ve selected. ![]() ✓ Click the Color Grading button in the timeline toolbar. ✓ Click the video event you want to white balance to select it. While this step isn’t absolutely necessary, it’s a good idea to set proper exposure before you do your white balance. Setting exposure before you white balance makes your color closer to true, and in many cases, the white balance easier to manage. ![]()
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